Seen this week in Hayletts Gallery art shop, a striking sculpture, “Yemanya” – African & Brazilian Goddess, mixed media mosaic by Anne Schwegmann-Fielding.
The main gallery exhibition has paintings by Anthony Atkinson ARCA and Pam Dan ARCA and runs until 13th November. The two artists present distinct individual approaches to their subject matter but are unified in this show by the colour they use – subtle ranges of blues and greens lifted by the light seen in the yellow and ochre.
For more information and images visit
Continuing my current series of ink work this is the second plant form study of Honesty (Lunaria), seed head ripening. These self seed around the garden and I feel are a useful addition in the early summer with the white or purple flowers. The tender green seed pod discs evolve picking up purples, pinks and reds as it matures to its end of season form. The silver translucent remains now stand, having shed the brown seeds.
Wikipedia has interesting information for the origin of both names – Lunaria and Honesty but there many other names this plant is also known by.
Looking for interesting seasonal developments I took an alternative route through a recently planted woodland garden of Birch – some shade but still a lot of sunlight between the young trees. This is an ink painting developed from a sketch made last August. The division of space in the composition, blue and yellow, refers to the cool shade and hot sunlight.
Before the seed head ripens to brown and silver it goes through a range of pink, red and green. This year was good, not a lot of rain in the summer, hot and dry, so very little black mould to discolour the drying seed head. I used indian and acrylic ink for this painting, reworking an oil pastel sketch from early summer. Throughout the year I fill sketch books with drawings, initially to record my idea of the transformation of plants but always with a focus that this is a resource for future artwork.
I use photographs when the weather is too cold or wet, or I am rushed for time but my preference is to work from my first impression recorded by drawing.
A painting using acrylic ink and indian ink, developed from a sketch made on a hot, late summers day visit to RHS Garden Hyde Hall, Essex, UK. At this time some rose hips had turned scarlet red, (see earlier blog post), but this was still in the process of ripening. The smaller size of the paper directs me to paint and draw in a tighter style instead of the looser line I use on larger art works. It’s all in the arm movement. I believe you can identify, without me telling you, which paintings are small and which are large.
Seen last week – Sarah Cawkwell at the Millinary Works gallery, sculpture, drawings. Sarah explains her art practice with more images and conversations – visit
I believe Sarah sees the drawings of textiles as sculptural artworks, meditative in process. There are physical interventions in the drawings – buttons, hooks, thread, and I feel there is tension in the drawn edges. My favourite artworks in this exhibition – “Shrinkage” and “Hooked”.
The Millinary Works gallery has a discreet front, easy to walk past, and I imagine little more developed than when it was a large millinary workshop. The main part of the workshop is used for the antique furniture business but the gallery space is the updated section of this building. Definitely worth a visit.
Seen last week a beautiful ceramic pot by artist Robert Mowle in the exhibition ‘Red’ at the Sculpt Gallery, Essex UK. This reminds me of an aerial view of Crete when our plane had to circle a few times before landing with the bonus of seeing swirled molten earth colours in the landscape. Exhibition – Red, continues through October.
More info visit http://www.sculptgallery.com/
This image follows on from my previous blog post and shows the front window of my venue in the Maldon Art Trail 2013. Community organised art trails in geographically recognisable defined areas, work to get art and crafts shown in public space outside the traditional commercial art gallery. These events can be very beneficial as an opportunity to share creativity and skills in public workshops, for artists to meet other artists, who often work in isolation, to develop partnerships with business, and to present another view or perspective of a town or place. As art trails have blossomed across Essex, the County Council promotes these independent initiatives under the umbrella of the Summer of Art.
If you collaborate with other artists where you live, what initiatives do you have to take to get your artwork exhibited or is it all online?
I installed my paintings last week in the Maldon Cookshop, for the Maldon Art Trail 2013. This photograph has been cropped but I wanted to give you an idea of the venue, (this image taken in the doorway), and of this Essex riverside town. There is a lot of information you can pick out, first my artwork, some you will recognise from previous blog posts, shop products, then posters of local activities, carnival, shop local campaign and art trail plus there are the reflections in the windows. It is a good venue with excellent window space, helpful staff, in a busy High Street location.
Maldon Art Trail is advertised from 28th September – 5th October but most artists work can be seen until Sunday 6th.
More information http://www.maldonarttrail.co.uk