For anyone, of any ability, who wants to build upon their colour skills.
A practical course over two Saturday mornings investigating effective colour mixing, colour bias, optical mixing and colour relationships. No more unintentional muddy colours.
Bring any paints and equipment that you want to use, but if possible should include white, two yellows, two reds, two blues. Paper, brushes, palette knife, (if using acrylic), palettes/plates and water jars, will also be necessary.
Additional materials will be supplied to help you achieve.
Fee £15.00 each session. Pay on the day. Car parking available. Doors open 9.30am.
Mundon Village (Victory) Hall, Main Road, Mundon, Essex CM9 6PB
Lords and Ladies – acrylic and indian ink painting reworked from an oil pastel sketch. The Arum Lily berries were ripening to a brilliant red on the purple and green stems, bare of their own leaves but surrounded by the tangled undergrowth.
The mostly disused station building, (apart from a nice cafe and a part time ticket office), is almost derelict. The windows have been boarded up with chipboard and the peeling paint tells you how long they have been there. It was a sad state of a building and when travelling by rail, is the first impression arriving in Burnham on Crouch, Essex. Beyond the platform and out to the car park and Station Road, are thriving gardens, planted and developed by volunteers who have already made this a more beautiful place.
The 10th anniversary of the Burnham Art Trail and 125 years of the railway to the town, became a celebratory community art project and refurbishment of the station.
Young people age 6-18 were asked to put forward a design they would like to see on the boarded windows on the theme of Travel – past, present and future. Winning designs could be painted by the designer or if very young, the painting was done by a volunteer artist.
I painted this board from a design drawn by a six year old girl. The expressions on the faces were a delight and I was conscious not to change essential elements so it could remain as close as possible to her original idea.
If you would like to see more images of painted window boards visit http://www.burnhamarttrail.co.uk
Burnham Art Trail 2014 Venue no.32. The trail map can be seen at http://www.burnhamarttrail.co.uk
Jacaranda in Station Road, is my allocated venue for this years art trail. It is a beautiful florist shop created and run by Sam Adams who generously gave up window space for the art trail week 21st June – 29th June.
If you would like to see what has been happening and upcoming events please visit https://www.facebook.com/pages/Burnham-Art-Trail
Art exhibition ‘Creative Flow’ at Farleigh Hospice Gallery 7/1/14 – 27/2/14. Art work supplied by Activate artists.
The Hospice welcomes visitors to view artwork in the gallery during Lantern Suite opening hours, (Monday-Friday 9.00am – 4.00pm).
Activate is an independent voluntary group set up in 1999 to bring together and offer support to professional artists living in and around Chelmsford, Essex.
We have a pro-active membership whose work covers a broad spectrum of disciplines including Painters, Printmakers, Ceramicists, Sculptors, Textile Artists, Digital Artists and Community, Public and Environmental Artists, and always welcome new faces and new ideas.
Activate meets at the United Brethren Pub, Chelmsford, Essex, CM2 OLF; 7pm -9pm on the second Monday or Wednesday of each month for discussion on personal and group projects as well as an opportunity to share skills and knowledge and to get involved with current activities.
Thumbnail size fungi, (depending on the size of your thumb), in wood chip mulch at RHS Hyde Hall Garden, Rettendon, Essex. At first I saw only the silvery empty cups and wondered what they were. Then on closer inspection I could see more but with ‘eggs’ that had not been dispersed. A fungi hunt in autumn led by an expert mycologist opened my eyes to the range of common fungi, but I still wonder how I have not noticed these until this year. Field Bird’s Nest – Cyathus olla.
I used silver acrylic ink for one thin wash before adding more layers of orange and blue. Silver ink can give a grey tinge but it worked well for this subject giving a subtle metallic sheen.
The plantain on the path grew flat where it had been walked on, or maybe it was a plant survival tactic to avoid being pulled up easily. Thinking about it now, it could still be there.
This is an old garden with generations of lost, broken and discarded items. When the ground is disturbed or rain washed, small objects can emerge.
Layered posters on the window shutters of a shop in Venice.
Control of this outside exhibition space was with the shop owner as it looked like the shutters could only be easily accessed from inside the shop, or by a person standing on a box or a ladder in a boat in the narrow canal.
The overlaid posters appear to be carefully placed, allowing the older images to be seen, (or for the faces to look through to the viewer).
Marina di Chioggia fantastic pumpkin, fleshy folds of dense nutty sweet orange flesh, originates from Chioggia, Italy. I use it for coconut and pumpkin soup or oven baked vegetables for pasta or rice.
Initially I added this to the list of regulars grown in the vegetable garden because of the connection to Italy and memories of a good holiday in Venice but I now know the value of the fruit and it is there on merit. (Just as I wrote ‘fruit’, I had to check to see if it was fruit or vegetable).
Definitions of fruit and vegetables – http://www.telegraph.co.uk/foodanddrink/10129729/Do-you-know-your-fruit-from-your-vegetables.html
This is an oil pastel sketch for development into an ink painting or print.